Thanks everyone.
#6 - seems to be a favourite with most people. There's just something about the lighting that gives it a certain glow. Most pleased with how this turned out.
Craig, thanks for your responses. I don't see them as negative at all, just how a different eyes see them
#1 - strangely I was deliberately after the overcooked CPL look - I spotted this a few weekends ago looking through polarised sunnies and was drawn in by the simple saturated colours - yellow and green on the top of the cranes, the white frame and the blue sky. Unfortunately the image doesn't capture the immensity of the actual thing in real life - we're talking probaly 20-30 stories high here!
#2 - I'd agree, the composition isn't as strong in this one, but I went with a different aim - to get the saturated yellow against the deep blue (the Territory's colours are yellow and blue in this shade). The ACT LA building is strange though, it's pretty ugly really
#3 - yeah, I was just mucking about with a reflection in a window of an empty cafe and liked the look of the colours - the mauve chair, the sage light panel under the bar, the cedar look of the table and the white napkin and the shadow on the curve of the salt shaker. Couldn't do much about the flare with so many light sources
#4 - this was me giving the D70 hell

. This image has 4 bad technical traits about it - moiré (horizonal lines in rear building), noise (red corrugated surface), CA (bit of tree in the gap at mid LHS) and polarisation effects (of the laminated glass in the building behind). But I'm not too concerned, it was colour, shapes, textures and the way the light was falling I was looking for.
#5 - walked past this building for the last 6 years, and have been figuring out how to approach it for a while. Initially I was going to go for something like "Colonial Mutual... reflection of a former self". Ended up going for the matrix look.
#6 - I had another couple of shots with less sky, but they didn't seem to bring out the blue in the extruded window boxes.
#7 - just goofing around while I waited for my Big Breaky and Flat White
#8 - as above really. The minimum focal length of the kit was a bit of a pain, and I looked like an idiot taking a picture of a coffee cup! Giving up on not having the 50/1.4, I went with colour harmony instead - crema/biscotti/table/table behind and lavazza logo/blues in bg.
Probably should clean the marks up a bit in
PS, I'm usually more concerned with the contents of the cup rather than the exterior
Looks like just an espresso drip mark to me...
WW - yeah, hopefully some of these are different for locals too!