One of the things I always shy away from is politics, and as such would it be too much to ask to have the extreme politics removed from this thread (moved elsewhere) so we can comment on the original work without drawing completely into the political arguments behind it?
Without knowing these are from the APEC summit they images could portray anything and I must concede that adding the political argument only adds to the feeling that everyone gets when the view it, no matter the side of the fence they sit or their political persuasion.
The first, streets cordoned off, the open gate, leading to the bridge with the APEC insignia. To me this shows that the summit is one sided, blinkered, there is but one path to tread. However there are other streets opened on the sides, this shows that there is always choice. I think this image really captures quite a bit if you really look into it. The stark lighting gives a feeling of desolation, hopelessness, one car gives isolation, this could be naught but an image portraying how our society is nothing but a rat race (think maze in a lab).
The second, industrious, busy, workers carrying out the work of the man, building the maze, adding to the feeling of loss. The work carried out in secret, under the cover of darkness, whilst the good people sleep. On the other hand erecting barriers of safety to keep the public safe away from the wild political beasts that will parade through the caged walkways. Once again two sides to the image, dependent on political view, morality, trust, up-bringing...
I'm lost on the third, at reaching the end of our journey there is naught but blackness, with the oppressive Police! On the other hand, our ordeal is at an end, the Police are there ready to help us cross the vast blackness and carry us away to the light and safety of a well known iconic image.
Sorry for the narrative, I really do hate politics and how much people read into everything, it really has become naught but an art of deception. Who can get me what I want, and if not how can I use them to get it. I suppose the whole series of images represent the duplicity that is politics, the good and the bad, it is just ones views that determine which is which.
Having lived and worked in Sydney, this is a sad thing to see, but like everything that is based on politics and
modern society there is a show in it for all. With all these barriers, cages, passageways, who is the viewer and who is the viewed will be the question.
Padey, great emotive images, specially the first two, the third is really open to a great deal of interpretation and doesn't portray as strong a feeling as the first two to me. Great PP work, I think if these were all colour they would lose their impact!
* please do not flame me I have no desire to enter into political argument or discussion *